“THE FEEDBACK LOOP – the feedback loop
goes like this: June generates something, a state, a feeling, a
thought, parameters. She’s been trying to create a communal
consciousness through her existence as a conceptual nexus that’s derived
from by many . . . through the universal unconscious.
So June sends out into the empty
nether, through thought, the back of her mind. Not her common voice.
This goes out into the u.u. (universal unconscious) sea. It gets met, it
gets picked up. An artist is inspired. Perhaps God is the connection
that allows this to transmit, when otherwise it never would.
The artist renders, a song in answer
to June’s silent voice, the voice sent into the unconscious. When this
is rendered and June hears it, she knows what she sent out succeeded,
and she in turn amplifies, builds on what was created. It is a mental
feedback loop, the feedback is rendered in the songs. It loops through
the unconscious, surfaces in the music, and goes back through June into
the unconscious again. It keeps growing and transforming. ‘and no one
can deny, we tried to hold onto the pulse of a feedback current, into
the flow of encrypted movement’ –“Try Try Try” – June
is ‘pop tart’, because pop, all over, is where she is rendered. The
tart because she is being jibed for being universal, she is not just
Billy’s muse, but a lot of people’s. Billy’s always jibed her for this:
‘now you belong to them all’ (Here’s to the Atom Bomb).”
No comments:
Post a Comment